![]() ![]() If you spy a shot you'd like to have, say so - I may still have the double print somewhere. It should be, for so was the past itself. So, the record of my past is a little disorganized. ![]() My jumble of images represents a full life, not a still life. This shuffles them a little more each time. ![]() Occasionally I dig through them to freshen a memory or illustrate a story for a friend. For me, rough is good enough.īatches of recently developed snapshots will always sit in a cardboard box on my shelf, waiting to be winnowed, dated, and pressed into place. They're arranged roughly in the order they were taken. I finally realized that I've had my own "system" all along: The photos I've slap-happily slipped into albums over the years include a nice mix of family, travels, friends, special events, and household remodeling projects. There is no "right" way, much less a "best" way. "Never mind how others do it," Mark and Jan's method seem to say instead, each of us should organize our photographs - or not - by whatever method suits us. After all, we take our vacations, raise our children, and live our lives to suit ourselves, not others. I realized that they maintain their photos not for public display, but simply for their own pleasure. 49 Likes, TikTok video from Jacque Dalton (jacquegarzaa): 'My camera roll might look like a jumble of random photos, but every single one. Recently it occurred to me that Mark and Jan, unlike the other friends I've mentioned, have never actually shown me their photo albums. Yet like the others, it didn't feel quite right for me. When I first learned about their method, it struck me as manageable. For photos falling into several categories (like the one of me dancing with their cat Hector), double prints are pressed into service. They keep another for trips, another of their pets, still another of friends. My friends Mark and Jan maintain separate photo albums for her family and his. They serve as proofs of purchase for this life I've bought into. It nourishes me to review them now and then. While I applaud her liberation, I'm not willing to pay that price. MY friend Linda ducks the whole issue of photo albums by not taking pictures. I was grateful for this lovely albumette, but her organizational skills reminded me of my own photo-filing inadequacy. My sister Rosemary once commemorated our childhood years in our family home - a 100-year-old Wisconsin brick farmhouse - in a vinyl snapshot-sized theme album that sported an oval window in its padded leatherette cover.įor Christmas that year, she reproduced this masterpiece for each of her five siblings. It can feel like a forced march, but still her mastery awes me. After telling me what I've "missed," she plops down a Post-It note bearing my name - to mark our spot for next time. Then she narrates as she turns the pages across our laps. Each time she visits, she leads me to the sofa, her album tucked under her arm. Unlike Jane's album, Rita's has no room for printed narrative. Last year, Rita discovered a little motel in small-town Nebraska called "Rita's R and R." She posed under the bright yellow sign while Jim snapped her picture. She fills pages with weekend visits to her sister's home, the opening of Christmas gifts at her parents' farm, the dragonboat race her husband, Jim, did with his co-workers last summer. (If it's Tuesday, this must be Belgium.) Next to each picture she pastes a neatly typed paragraph telling where she was (Crete), what she was doing (parasailing), and how the weather was (perfect).Īnother friend, Rita, uses her photo albums to chronicle life's thinnest slices. My friend Jane, who takes exotic vacations, organizes each trip's pictures chronologically. Their confidence, combined with their various quirky approaches, has always amazed me. I admire friends and relatives who have elevated the keeping of their photos to an art, if not a science. Though otherwise competent, I've felt cowed by the task that others seem to enjoy. Long ago I attributed this aversion to not knowing the best way - the right way - to organize these images in their binders. As I write this, stacks of outtakes sit jumbled in a cardboard box. Hence, it can be slow and memory consuming when dealing with large images or large number of cuts.I've always dreaded filing snapshots in photo albums. The script breaks the photo into chunks, loads them in the memory and then places them randomly. If only horizontal number of cuts is defined, the vertical cut number is calculated automatically so that each chunk becomes closest to a square. A scrambled image file will be generated in the current directory.īut you can specify the horizontal AND/OR vertical cuts. You scramble a photo using this command: photo-scramble filename.jpg. So you have the necessary requirements?! ☺️ You probably already have it installed in your machine. A photo scrambler that can jumble up photos according to user input horizontal and vertical chunks! Requirements: ![]()
0 Comments
![]() Ĭonstruct Al-An's Storage Medium at the Fabricator Base. Then head back down to the tower's terminal and select. Insert the Test Override Module into the Communications Tower's maintenance port. Repair the bridge in the Glacial Bay using Hydraulic Fluid.įind Sanctuary Zero and initiate the download sequence in the storage cube's chamber. ![]() The player must locate/enter the Drop Pod in the Twisty Bridges.Ĭonstruct a Snowfox on the Snowfox Hoverpad and ride it. The player must find the blueprint, and construct the Neptune Escape Rocket, and escape from Planet 4546B. The player must complete the entire healing cutscene in order to obtain the achievement.Ī Time Capsule must be constructed and left in the world for another player to discover. The player must communicate with the Sea Emperor Leviathan and hatch the Sea Emperor Infants in order to obtain Enzyme 42. The player must find and enter the Primary Containment Facility in the Lava Lakes. The player must discover the Alien Thermal Plant inside the Lava Castle. The player has to discover the Disease Research Facility in the Lost River. The player must find one of the scattered Cuddlefish Eggs around the world, Put into alien containment, hatch it, and release it. The player must find the Degasi Seabase in the Deep Grand Reef and pickup PDAs there. Mushroom Forest Sparse Reef Deep Sparse Reef Interacting with the console allows the player to compose a message for later players to find (the title field seems to have been removed in an update), and attach a screenshot taken using the PDA screenshot feature if they so choose. The player must discover the Degasi Seabase in the Jellyshroom Cave.įind the Degasi habitat in the deep grand reef The player has to discover Degasi Seabase on the Floating Island.įind the Degasi habitat in the jellyshroom cave 514 ratings Subnautica - Full Achievement Guide & Maps (With explanations) By ThePugHybrid A complete guide to all 17 Subnautica achievements with detailed explanations on how to obtain them. ![]() ![]() The player has to reach the Mountain Island and find the Quarantine Enforcement Platform.Ī Prawn Suit must be built in order to obtain this Achievement.įind the Degasi habitat on the floating island The player has to fix the breaches in the Aurora's drive core. The player has to construct a Seabase module, which requires the Habitat Builder to build. The easiest Achievement to earn, one must simply exit Lifepod 5 via the bottom hatch or jump into the water via the top hatch. ![]() ![]() ![]() If the WAN IP address of the Deco is not a public IP address but a private IP address, that means there is another NAT device connected to the WAN Port of the main Deco, and you need to open the service ports on that device as well.įor how to verify whether the IP Address is a public one or a private one, please refer to this link:ĥ. Now you can try to use WAN IP:Port Number (External Port) to access the service from the outside network. Go to the More> Internet Connection> IPv4 page to check the WAN IP address of the Deco system. In a normal case, if a device connects to Deco and gets an IP address, Deco will show the device when configuring the port forwarding feature.Ĥ. Note: Deco does not support the feature of entering the Internal IP address manually. For example, set up the External Port as 4500 and leave the Internal Port blank, then tap Save, and the internal port 4500 is opened. If you leave the Internal Port blank, the internal ports will be the same as the external ones. Choose a Service Type, type in the Service Name, and tap Internal IP to select a device you want to open ports for, then type in the External Port and Internal Port (Service Port), then click on Save to add a port forwarding rule. Tap + icon at the upper right corner or click on Add Port Forwarding Rule to add a rule.ģ. Launch the Deco app, tap More-> Advanced-> NAT Forwarding-> Port Forwarding.Ģ. But don’t worry since they will support up to 64 entries in the future via firmware updates.ġ. Note: Currently, some Deco models only support 16 port forwarding entries. Please verify the service port number before the configuration. ![]() Port Forwarding allows you to make a device or service on your local network accessible by other devices over the internet, whilst ensuring your network remains protected.ĭifferent services use different service ports, such as Port 80 for HTTP service, port 21 for FTP service, port 25 for SMTP service, and port 110 for POP3 service. ![]() ![]() ![]()
![]() ![]() Is it possible for Non Accelerated Effects be applied automatically without me knowing? If so, is there a way I can stop that from happening? While similar, I have the color shift occurring even when I start new projects and import brand new footage with no effects attached to it.īut I am open to the possibility that this is a solution. I have also exported the project and it gets the colour shift." The preview renders are set to cineform 10bit yuv 10bit 3840 x 2160. ![]() I have also rendered these out to make the red line go green and set the sequence to max bit depth and max render. These aren't limited to only 8bit effects either, I have tried with 32bit effects like neat video and still get the colour shift. Non accelerated transitions also produce the colour shift. So an example is setting the camera blur effect to 0, in theory the effect should do anything to the image however toggling the effect on and off shows the shift in the waveform. This colour shift still occurs if you lower the effect so that it doesn't effect the image. I think if you haven't applied a non accelerated effect to your work recently you might not have noticed the colour shift. I'm not on a Mac but on a PC and it sounds very similar to the issue I have been having. I have tried it on two different machines and the same issue occurs. "Hi I have had a similar issue in particular when I have upgraded from 12.0.0 to 12.1.2, it seems to occur when you apply non accelerated effects and the timeline goes from the yellow bar to the red one. ![]() This was a comment that disappeared as I was replying to it that mentioned a similar issue when Non Accelerated Effects were applied to the sequence. I also created a GIF to better demonstrate the difference between footage in Premiere and the same footage routed through After Effects.Īfter Effects displays the colors correctly. This problem might be specific to Premiere on iMac Pro systems. I have tried the same video on an iMacbook Pro computer with updated Premiere and AE. I am looking for a solution inside Premiere so I don't have to create AEcomps for every clip. When the footage is in a sequence, I can create an After Effects Composition, and the color returns to normal. I have not added any effects and there are no master clip effects added. What was properly exposed footage looks like it has crushed blacks and blown out whites. Selecting a region changes the language and/or content on I import my footage into Premiere, it seems contrast is being added to it. All three offer their own specific advantages, disadvantages and ultimately, use cases. Basically, vectors don’t lose quality when resized.Īt the same time, don’t confuse either raster or vector formats with RAW files, which are unaltered, uncompressed images made up of direct data taken from a camera’s sensors. They’re created with mathematical equations, lines, and curves - using points fixed on a grid - which means images can be made infinitely larger (or smaller) without losing resolution. This means raster files can become distorted if you resize them beyond the amount of space the pixels were meant to fill. Raster files are composed of a fixed number of square pixels. They’re formed in different ways and are better suited to some projects than others. When you work on any digital project, you’ll encounter two distinct types of image files - raster and vector. Let’s take a step back before actually defining the vector file. ![]() ![]() ![]() The default keyboard setup is nearly impossible to use. First, the interface is simply atrocious. The last, of course, assumes that you actually manage to play the game at all. Unfortunately, most of the non-story based missions are rather boring, as is trading.Įvery island always trades, buys, and bans the exact same products. You can choose where and when you go, what missions you want to take, whether to work as a government stooge, become a trader or go pirate, and whether or not you want to participate in the story. The freeform gameplay idea is sound enough. The towns and jungles Hawk travels through look good enough and their looks vary based on their European mother country - a nice touch, but the movement animations on human models look stiff and unrealistic. The environments at sea are suitably spectacular, particularly at night with the seas rippling against the hull and a gorgeous moonlight effect. The ship animations are lovely, with sails billowing in the wind, explosions, smoke and fire, and a great sinking effect with cargo and drowned sailors floating in the water. When you do crank up the resolution, though, the game becomes quite good looking. On the other hand, the story is actually pretty good and is illustrated with some very effective cutscenes. After a brief tutorial, the French invade the port he begins the game in, which sets off a story that culminates in the discovery of an ancient artifact and a battle against a shipful of undead sailors. The storyline concerns one Captain Nathaniel Hawk, freebooter and mercenary, unleashed on the 17th century with little more than one ship, a rusty sword, and his wits. If you are on Windows 10, make sure you have version 3. ![]() Where can I download the Remote application? How to fix the “Too Many Installations” Error? Streaming Services. I want to cancel my subscription, can I get a refund? Legacy Versions. If you reactivate your subscription, you will be billed according to your subscription plan. You will still be able to use Studio until the end of the current subscription period. Subscriptions and subcription management. This replaces the user manual, that is why there is no pdf version of it. What are the minimum system requirements?Ĭontextual help is displayed in the software, for each part you might eventually need help with. The free-trial privilege is limited to one free trial per Account. This gives access to the large number of EQ, room correction, headphone crossover filters available on the market including the one that are already in your Mac.įree Trial. This can be configured in the audio Signal Processing section on the audio preferences page. Windows or MacOS then tries to find another available audio device. First make sure that your Mac and your network drive are connected to the same local network, with no router in between. In album view, files without metadata are grouped by folder, which are then displayed as albums. In this case, they appear with only a title that is their filename. It is quite possible these audio files do not have the metadata tags that would have enabled them to be correctly catalogued and found easily. This is probably due to setting you put for upsampling. To prevent this from happening, exit other memory-hungry applications e. Select Airplay in the selection menu that appears. To get it back, hold down Option and click on the loudspeaker icon on the menu bar. If another application still tries to send sound during playback, macOS will try to find another available audio device for it. This will restore access to the audio device to other applications and allow your computer to go into standby mode. Android update is available here.īe careful if you have a 2. You can connect your streaming account directly in the application. Qobuz and Tidal both give you a 1-month Free Trial when you create an account directly on their website. You can cancel your susbcription anytime directly in your Account, in the dedicated section. ![]() The change will be effective after the end of the current subscription period. You can change your subscription formula anytime directly in your Account, in the dedicated section. ![]() You can reactivate your paused subscription directly in your Account. You can pause your subscription directly in your Account. After canceling, you will need to fill in your billing information to subscribe again. Canceling your subscription implies that your billing details are deleted. After pausing a subscription, you have access to your billing information and can update it. You can manage your subscription directly in your Account. ![]() ![]() Third-party assets might get blocked due to the limitations of cross-origin isolation policies. Safari does not fully support the required mode for cross-origin isolation, so you might encounter limitations when running a server in a preview frame within the StackBlitz editor. We have beta support for Safari on macOS, starting with Safari 16.4. However, you can work around this by opening your server preview in a separate window.īecause Firefox and Node.js use different JavaScript engines (SpiderMonkey and V8, respectively), there is a small risk of running into JS engine differences. Please try it and share feedback with us!įirefox does not fully support the required mode for cross-origin isolation, so you might encounter limitations when running a server in a preview frame within the StackBlitz editor. Learn how to configure Brave to run WebContainers. ![]() Brave īrave is a Chromium-based browser and supports WebContainers well but it ships with a more aggressive third-party blocking by default which tends to stop WebContainers from running. If you think you’re running into this issue, check out how to configure Chrome to run WebContainers. ![]() However, if you enabled blocking third-party cookies in Chrome preferences, this may prevent WebContainers from working out of the box. WebContainers are fully supported in Chrome and most Chromium-based browsers including Brave, Edge, Vivaldi, and others. Because of that, it is easier to achieve a higher degree of compatibility in a Chromium-based browser, which also runs on top of V8. Node.js very much relies on some specific features of V8, which are not part of the established JavaScript standards. After all, WebContainers strive for maximum compatibility with Node.js, which itself is based on V8, Chromium's own JavaScript engine. Note that there might be minor differences in the behavior of WebContainers in browsers that are not based on Chromium. You can read more about cross-origin isolation on our blog. We are following current specifications and continuing our talks with browser implementors to bring support to other browsers as soon as possible. Unfortunately, this feature is only enabled in Chromium-based browsers. For this to work, a new credentialless mode of cross-origin isolation that allows this is needed. However, for cross-origin isolation to work for our use case, you need to be able to embed arbitrary resources: to be able to write and test your web application seamlessly, regardless of which images or scripts you choose to include. Both features are enabled in Chromium-based browsers (Chrome, Brave, Edge, among others), Safari 16.4, and Firefox. This is a powerful feature that was disabled temporarily in light of potential security issues.Ĭross-origin isolation is the key to enabling SABs: by properly configuring some of the headers and controlling which resources are served to browsers, a site can be considered crossOriginIsolated or, in other words, secure enough to use SABs. SharedArrayBuffers (SABs) allow simultaneous access to a chunk of memory from multiple different workers. Most important among them are SharedArrayBuffer and cross-origin isolation. StackBlitz requires some of the latest additions to the Web Platform to work correctly when running WebContainers-based projects. In this case, we recommend switching to a Desktop browser that is less constrained and has more memory. Large projects may run into memory limitations because the memory usage for a web page on a mobile device is more constrained. iOS and iPadOS: beta support for Safari since iOS 16.4.Depending on your device, large projects may run into memory limitations. Android: beta support for Chrome, Chromium-based browsers and Firefox.Safari: beta support since Safari 16.4, no support for earlier versions ( see details).Some browsers may apply restrictive rules by default, and require specific configuration, like Brave. ![]() Other Chromium-based browsers: full support.WebContainers are supported in all recent desktop browsers (fully in Chrome and Chrome-based browsers, in beta in Firefox and Safari), and partially supported on Android browsers. Last update: February 2023 Supported browsers ![]() ![]() ![]() These are preferable for people who use their freezer often and want a lot of space and easy access to their frozen goods. Sometimes these models are also paired with multiple drawers or doors on each side. ![]()
![]() ![]() ![]() There is no reasonable way to argue that being allowed to complete some launches without an FRR would have singlehandedly allowed Blue Origin to “ and an entirely different architecture.” Nevertheless, that’s exactly what the company attempts to argue – that it would have radically and completely changed the design it spent more than half a billion dollars sketching out if it had only been able to skip a few reviews.Ĭuriously, Blue Origin nevertheless does make a few coherent and seemingly fact-based arguments in the document. To be clear, a flight readiness review is an admittedly important part of NASA’s safety culture, but it ultimately amounts to paperwork and doublechecks over the course of a day or two of meetings.Īll else equal, the need to complete an FRR before a launch is incredibly unlikely to cause more than a few days of delays in a worst-case scenario and would have next to no cost impact. While heavily redacted, Blue Origin wants a judge to believe that contrary to the US Government Accountability Office’s (GAO) fair assessment that such a small issue is incredibly unlikely to have changed the competition’s outcome, it would have “been able to propose a substantially lower price” for its lander. ![]() The bulk of Blue Origin’s argument appears to be that its National Team Lander proposal was drastically disadvantaged by the fact that SpaceX may or may not have incorrectly planned for just three ‘flight readiness reviews’ (FRRs) for each 16-launch HLS Starship mission. ![]() That would break the NASA budget!- Elon Musk September 22, 2021 Nevertheless, NASA’s Kathy Lueders and a source evaluation panel made it abundantly clear in public selection statement that SpaceX’s proposal was by far the most competent, offering far a far superior management approach and technical risk no worse than Blue Origin’s far smaller, drastically less capable lander. Once filled, an HLS lander would launch to orbit, refill its tanks from the depot ship, and make its way to an eccentric lunar orbit to rendezvous with NASA’s Orion spacecraft and three Artemis astronauts.Īs Blue Origin has exhaustively reminded anyone within earshot for the last five months, SpaceX’s Starship Moon lander proposal is extremely complex and NASA is taking an undeniable risk (of delays, not for astronauts) by choosing SpaceX. Anywhere from 8 to 14 Starship tanker missions – each carrying around 100-150 tons of propellant – would then gradually fill that depot ship over the course of no more than six or so months. SpaceX would begin a Moon landing campaign by launching a (likely heavily modified) depot Starship into a stable Earth orbit. In short, Blue Origin appears to have abandoned the vast majority of arguments it threw about prior to suing NASA and the US government and is now almost exclusively hinging its case on the claim that SpaceX violated NASA’s procurement process by failing to account for a specific kind of prelaunch review before every HLS-related Starship launch.įor NASA’s HLS competition, SpaceX proposed to create a custom variant of Starship capable of serving as a single-stage-to-orbit crewed Moon lander with the help of the rest of the Starship fleet – including Super Heavy boosters, cargo/tanker Starships, and a depot or storage ship. While one seemingly significant portion of the main complaint claiming to reveal “additional substantial errors” in SpaceX’s Starship HLS proposal was almost fully redacted, most of the opening argument is legible. ![]() ![]() ![]() ![]() You go on further in your post complaining about Gholdengo as if he and hazard stack is the reason why stall isn't all that good anymore when stall has so many more options to deal with hazards between more/better hazard removal and boots than in gen 4. ![]() Not only does this gen have many more options for hazard removal than gen 4 (Tusk, Treads, Cyc, Corv, Talon and if you're going to argue Forre for Gen 4 he's still here gen 9) most stall teams don't even care about hazards because of boots spam and you really should have a dedicated knock absorber on your stall teams you go too every time. Ok that's a fair point that defog doesn't exist anymore, but hazard removal didn't exist in gen 4 either (outside of Starmie and Cruel, you don't really want to use Forretress as it has no recovery and you end up stacking fire weakness as you want Skarm) and HDB DIDN'T exist either. In gen 9 options for knock that can work on stall you've got Tusk ( SupaGmoney just hit no2 on the ladder with this on stall), Treads, Cyclizar (who all roll compress as hazard removal too, btw, but we'll get to hazards shortly), Wo-Chien and whilst probably not good on stall Tinkaton. Yes knock is v good for stall but guess what? There was once a time where knock wasn't so common, realistically in gen 4 you have 2 mons you can run on stall that can knock, Gliscor and Clef. To start with I'm going to be making comparisons to gen 4 where stall is GOOD to show why most of this post is NOT why stall is currently BAD and how losing endless knock, defog/spin ect isn't what's broken stall. We also had things like Magic Guard Pokemon which meant that your utility would matter more against Offense, and theirs meant less.Ĭlick to expand.Ok so I've been thinking about this post for a lil while and honestly, I don't agree with any part of your post in regards to why stall is bad now and that the arguments about it being down to losing knock, toxic ect aren't a two way street. On the end of Toxic, it's always been a two-way street, but a lot of the Pokemon that defensive teams are crafted around walling out can rarely find random slots to fill with Toxic. Those same Tusks make it much harder to rely on HDB, which when your strategy requires switching for 50+ turns, is a lot more devastating than BO and HO, which tend more to stay in, fuck about, and find out rather than being light on their feet.įact being, Knock Off distribution tends more to help offensive teams right now than defensive. While you can have these on say, Balance and Bulky Offense, for Valiant it's somewhat risky to throw out most of the time (making it not a consistent option), and defensive Great Tusk using it only for Gholdengo to live, and Recover all day long. And it would be incorrect to act as if Knock Off isn't in the meta- it is, just on Pokemon like Great Tusk and Iron Valiant. Having your HDB or Lefties Knocked wasn't the end of the world when a little something called "Defog" existed, and one slot on offense couldn't stop both Rapid Spin and Defog at the same time. Knock Off is a good move you can throw out a lot on defensive Pokemon that removes options to break your walls (Choice items, Life Orb, etc.) or an opposing team's HDB or Leftovers. ![]() |